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    <loc>https://kingsearlymodern.co.uk/keywords/ambiguity</loc>
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    <lastmod>2021-08-01</lastmod>
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      <image:title>Keywords - Ambiguity - Make it stand out</image:title>
      <image:caption>Replica (1923) of Leibniz Calculating Machine. The original dates to c.1700 and is located in the Landesbibliothek Hannover, Germany, Inv.-Nr. 56956. Photo: Deutsches Museum.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Keywords - Ambiguity - Make it stand out</image:title>
      <image:caption>Frontispiece from Gottfried Leibniz, Dissertatio de arte combinatoria [1666] (Leipzig, 1690). Image: Deutsche Fotothek Mathematik &amp; Kombinatorik. Licensed under Creative Commons BY-SA 3.0.</image:caption>
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  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/blood</loc>
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    <lastmod>2021-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1620983931582-CI8GNB9LE8LI4Z33H46T/Blood+letting.jpeg</image:loc>
      <image:title>Keywords - Blood - Make it stand out</image:title>
      <image:caption>Anon. Bloodletting, 16th Century. Wellcome Collection. Attribution 4.0 International (CC BY 4.0).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1620993522116-SFN11MMX1LQA6J76U54G/D04019CF-506F-45DC-8812-1DB6CB5EB074.png</image:loc>
      <image:title>Keywords - Blood - Thomas Middleton and William Rowley. The Changeling (London: Humphrey Moseley, 1653).</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/cosmopolite</loc>
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    <lastmod>2021-07-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1615359210859-JM3LM0CQ0PDPP6U01HSU/Therologia+engraving.jpg</image:loc>
      <image:title>Keywords - Cosmopolite - Engraving from James Howell, Therologia (London, 1660). BC LTQ/HOW, Brotherton Collection, Leeds University Library. Reproduced with the kind permission of Leeds University Library.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/criticism</loc>
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    <lastmod>2021-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1616744941367-0R311E12PGGJGAK2Z41F/Rubens+Four+Philosophers.png</image:loc>
      <image:title>Keywords - Criticism - Peter Paul Rubens. The Four Philosophers. 1611-12. Pitti Palace, Florence.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1616703681274-AWWQF0YZYK5QSQAFMTH3/Scaliger.jpg</image:loc>
      <image:title>Keywords - Criticism - N. de Larmessin, after T. de Bry. Julius Caesar Scaliger. 1682. Line Engraving. Wellcome Library, London. Licensed under Creative Commons (CC BY 4.0).</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/definition</loc>
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    <priority>0.5</priority>
    <lastmod>2021-07-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1620458285241-JYIPDF4K4EBX8S7K9TFA/2048128_39246-pages-5-page-001.jpg</image:loc>
      <image:title>Keywords - Definition - ‘Porphyriana Arbor’ from László Spaics, Tractatus in Aristotelis logicam sub A: R: patre Alexandro Brunczwik per mi Georgium Spaich. 1748. Graphic by Martin Prokes. © Hungarian National Digital Archive. (CC BY 4.0).</image:title>
      <image:caption>Porphyrian trees were frequently used in contemporary logic textbooks to represent the process of defining things according to species and differentiae (distinguishing characteristics).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1619697705173-UEQ9G55JOONNBHR6LDMK/mid_01562277_001.jpeg</image:loc>
      <image:title>Keywords - Definition - Jean Massard, after Jean Baptiste de Champaigne. Antoine Arnauld Docteur de la Maison et Société de Sorbonne. 1755-1822. Etching and engraving. © The Trustees of the British Museum.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/disenchantment</loc>
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    <lastmod>2021-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1627292189985-DYM9B27IILMAXPBHIR15/robin-goodfellow-his-mad-c_57_b_55_a2r.jpeg</image:loc>
      <image:title>Keywords - Disenchantment - Anon. Robin Good-fellow, his mad prankes and merry jests (London, 1639). British Library, C.57.b.55. (CC Public Domain Mark 1.0).</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1627292775412-53CJR5G9S1JH737LN1AK/The-devil-exchanging-a-baby-against-a-changeling-early-15th-century-detail-of-the-legend-of-St.-Stephen-by-Martino-di-Bartolomeo.jpg</image:loc>
      <image:title>Keywords - Disenchantment - Detail from Martino di Bartolomeo. Exchange and Abduction. ca. 1390. © Städel Museum, Frankfurt am Main.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/distraction</loc>
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    <priority>0.5</priority>
    <lastmod>2022-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1614889213496-M3AH0A0LDGIVMIGX8C4G/MS-GG-00001-00001-000-00988+%281%29.jpg</image:loc>
      <image:title>Keywords - Distraction</image:title>
      <image:caption>Trilingual Compendium of Texts, Cambridge University Library MS Gg.1.1, C1300. © Cambridge University Library. Licensed under Creative Commons (CC BY-NC 3.0).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/dream</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1623866253251-QYFZWWECAZ5808NYOM4J/8070bd36-7998-4acb-812a-469c8d6656f0.jpeg</image:loc>
      <image:title>Keywords - Dream - Make it stand out</image:title>
      <image:caption>Battista Dossi. Die Nacht (Der Traum). 1544. Gal.-Nr. 131 © Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1623916077017-OXWKMKPFEWU2VZ023HZO/MS-ASHMOLE-00195-000-00299.jpeg</image:loc>
      <image:title>Keywords - Dream - CASE4062: Horary consultation, Elizabeth Thornfield (21 July 1598) / CASE4063: Diary entry (21 July) / CASE4064: Horary consultation, Thomas Warren (22 July).</image:title>
      <image:caption>Forman, vol. 3, Bodleian Library, MS Ashmole 195, p. 134r. © Bodleian Libraries, Oxford (CC BY-NC 3.0).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/emotion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1615473657322-T0FN2QZX1LE83HHAB0U3/Phlegme+Minerva+British+British+Library+C.38.f.28..png</image:loc>
      <image:title>Keywords - Emotion</image:title>
      <image:caption>‘Phlegme Warming Himself by the Fire’ from Henry Peacham, Minerva Brittania (London, 1612). British Library C.38.f.28. (CC Public Domain Mark 1.0).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1615474525718-ELEDXHCSV67339WDVI3N/Marchetti+Folger.png</image:loc>
      <image:title>Keywords - Emotion</image:title>
      <image:caption>Ludovico Marchetti, Othello, Act 4, Scene 2, “Upon my knees, what doth your speech import?”. Late 19th / Early 20th Century. Folger Shakespeare Library (LUNA: Folger Digital Image Collection). Licensed under Creative Commons (CC BY-SA 4.0).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/engrave</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1618993240398-Z08TLHATLYRE1PBSK1DJ/Leonie+Price+Image+1.jpg</image:loc>
      <image:title>Keywords - Engrave</image:title>
      <image:caption>Carved Boxwood Apple Scoop, English. 1740. V&amp;A Museum W.18-1935. © Victoria and Albert Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1618994011426-7IV9XB3AIHC3VWFLCKFL/Leonie+Price+Image+2.jpg</image:loc>
      <image:title>Keywords - Engrave</image:title>
      <image:caption>Enamelled Gold Posy Memorial Ring, England. c. 1700. V&amp;A Museum M.78-1960. © Victoria and Albert Museum, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/flowers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1624608627095-0NW5YLRL4IOBOERA3ASQ/Jane+Sharp.jpeg</image:loc>
      <image:title>Keywords - Flowers - Depiction of a pregnant woman’s womb opening up like a flower in Jane Sharp’s 1671 midwifery manual.</image:title>
      <image:caption>Jane Sharp. The Midwives Book. Or the whole art of midwifery discovered. Credit: Wellcome Collection. Public Domain Mark.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1624609764620-F16H4SVQVBIIT4K7K9RE/Manhei+Chan+menstrual+art.jpg</image:loc>
      <image:title>Keywords - Flowers - Make it stand out</image:title>
      <image:caption>Contemporary feminist artists have embraced the floral imagery of menstruation, as in the work of Manhei Chan. © Instagram / Manhei Chan (@chanmanheyyy).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/graffiti</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1618514082363-M4IGECZQS2XAKGOJYTC9/Graffiti+Image+1.jpg</image:loc>
      <image:title>Keywords - Graffiti - ‘Historic Graffiti at Thornton Abbey and Gatehouse’. Image taken by Emma Bryning.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1618551966771-SEWGB7IYW7EMUAPWDHZZ/Graffiti+Image+2.jpg</image:loc>
      <image:title>Keywords - Graffiti</image:title>
      <image:caption>‘Historic Graffiti at Brougham Castle’. Image taken by Emma Bryning.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/imperialism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1627206690084-ZQ51OJUYYI8609NW8WEX/1594141001.jpg</image:loc>
      <image:title>Keywords - Imperialism - Rembrandt Photogravure (print), after Anthony van Dyck. Portrait of William Feilding, 1st Earl of Denbigh. 1919 [1635-6]. © The Trustees of the British Museum.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1627206501219-QI7MHQASJCO8Q3DQN8JY/Portrait+Indian+Page+Lady.jpeg</image:loc>
      <image:title>Keywords - Imperialism - Sir Peter Lely. Portrait of Lady Charlotte Fitzroy with her Indian Page. c. 1669-79. © York Art Gallery.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/material</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1617343794069-K2B8QQL38MX9PFPGR4QY/Waistcoat+V%26A.png</image:loc>
      <image:title>Keywords - Material - Waistcoat. 1610-20. V&amp;A Museum MA/1/G/190. © Victoria and Albert Museum, London.</image:title>
      <image:caption>Aspects of this waistcoat which suggest it may have been used as a masque costume include the low neckline, and metal spangles and silver thread which would have caught the light.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1617348154313-0XTQ67BPRNE7BN1O3CYP/van+Winghe+Roemer.png</image:loc>
      <image:title>Keywords - Material - Jeremias van Winghe. A Roemer on a Silver-Gilt Bekerschroef, Sweetmeats in a Silver Tazza, Langoustines on a Plate, Walnuts and an Apple on a Table Top. 1607. Accession Number: NK1493 (Stichting Nederlands Kunstbezit) / 1044 (Jacques Goudstikker Collection).</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1617348904999-6ELGUYOOU1DG8IUOYT6W/Sugared+Almonds.png</image:loc>
      <image:title>Keywords - Material</image:title>
      <image:caption>Sugared almonds: today’s delicious and crunchy cousin of comfits. Author’s Image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1617349589630-684HOGA3T3XCH4XXG7OC/749578001.jpg</image:loc>
      <image:title>Keywords - Material - Dr Dee’s Magical Mirror. British Museum 1966,1001.1. 14th Century - 16th Century (?). © The Trustees of the British Museum.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/maternity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1614890560195-YQHAXG6O2OK7XFDB4AE0/ep51.33.1.R.jpg</image:loc>
      <image:title>Keywords - Maternity - Anthony van Dyck. Virgin and Child. c. 1620. The Metropolitan Museum of Art, New York.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1614717007150-JDHUFREMBS7EB6EGSYTK/Death+of+Cleopatra.png</image:loc>
      <image:title>Keywords - Maternity - Guido Cagnacci. The Death of Cleopatra. c. 1645-55. The Metropolitan Museum of Art, New York.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/meditation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1622187892199-O0CZZBOT0UVCH4NQD1GN/bub_gb_ACzqCQfQ7IUC_0043.jpeg</image:loc>
      <image:title>Keywords - Meditation - ‘Examen Conscientiæ’ from Ignatius of Loyola, Exercitia Spiritualia (Rome, 1596). Public Domain Mark 1.0.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1621958512686-037DNWMXFL879HHM4SPY/J+Hall+Works.png</image:loc>
      <image:title>Keywords - Meditation - Make it stand out</image:title>
      <image:caption>Joseph Hall, The Works of Joseph Hall B. of Norwich (London: Miles Flesher, 1647). Thomas Clifton (2018), by permission of The Cadbury Research Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1622188753224-CJ1KLOWA4VZ9UP9L18Q3/Hopton.jpg</image:loc>
      <image:title>Keywords - Meditation - Frontispiece from Susanna Hopton, Daily Devotions (London: Jonathan Edwin, 1673).  Thomas Clifton (2019), by permission of The British Library.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/mirror</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1617952733979-MC3X0T4Z5I1TO5E7R7ZJ/arundel_ms_263_f086v.jpeg</image:loc>
      <image:title>Keywords - Mirror</image:title>
      <image:caption>Leonardo da Vinci. ‘Notes and Diagrams on Optics, Concerning the Caustics of Reflection’ (c. 1503-5). British Library Arundel 263, f.86v. © The British Library Board.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1617954143587-YZLE0XF6L5L3T2Q0CIU8/738423001.jpg</image:loc>
      <image:title>Keywords - Mirror</image:title>
      <image:caption>Group of Objects, including ‘Shew-stone’, or Magic Mirror with Mirror Case. British Museum 1838, 1232.90.b. Late 16th Century. © The Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1617956555974-SHURGO8K4QXCELHGSQAA/Of+Pride+JPEG-min.jpg</image:loc>
      <image:title>Keywords - Mirror - ‘Of Pride’ from Stephen Batman, A Christall Glasse of Christian Reformation (London, 1569). Leaf H3 recto. Folger Shakespeare Library (LUNA: Folger Digital Image Collection). CC BY-SA 4.0.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/patronage</loc>
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    <priority>0.5</priority>
    <lastmod>2021-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1616149445574-O4639DSEF48TMQWZQBBV/Patronage+RN+Model+1.png</image:loc>
      <image:title>Keywords - Patronage</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1616147756509-YGKOG5JUJ16CBMISAIYV/Patronage+RN+Model+2.png</image:loc>
      <image:title>Keywords - Patronage</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keywords/promptbooks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/1623250805744-1NBRL8KFKHE40237UU97/Prompt+1.png</image:loc>
      <image:title>Keywords - Promptbooks - Cover of PROMPT Lear 25, Folger Shakespeare Library. 1882.</image:title>
    </image:image>
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      <image:caption>Pages denoting storm cues from PROMPT Lear 25, Folger Shakespeare Library. 1882.</image:caption>
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      <image:title>Keywords - Prosthesis - La methode curative des playes, et fractures de la teste humaine. : Avec les pourtraits des instruments necessaires pour la curation d'icelles. / Par M. Ambroise Paré (Paris, 1561).</image:title>
      <image:caption>Credit: Wellcome Collection. CC BY 4.0.</image:caption>
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      <image:caption>René Descartes. ‘The Nervous System. Diagram of the Brain’ from De homine figuris, et Latinitate donatus a Florentio Schuyl (1662). Wellcome Collection (CC BY 4.0).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/53b0aee0-74a0-4e42-b8fa-1b25a1f8af75/Humans+Book+Launch+%281%29.png</image:loc>
      <image:title>Events - Book Talk - Humans: A Monstrous History - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2025-03-10</lastmod>
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    <lastmod>2024-12-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/78a9a3db-c6df-4b87-86f6-7073bfd5aa10/9780198943853.jpg</image:loc>
      <image:title>Events - Churchyard Poetics Book Launch - The familiar literary-critical category of 'graveyard poetry' has made the eighteenth-century churchyard a commonplace in the period's cultural imaginary: a location in which melancholy, religious poets get lost in imaginative reveries or didactic visions of the afterlife. By contrast, Churchyard Poetics: Landscape, Labour, and the Legacy of Genre shows how the churchyard takes on a new shape and a fresh importance for a counter-tradition of women and labouring-class poets, for whom this landscape is a resting place with no closure. In work by Mary Leapor, Ann Yearsley, Charlotte Smith, and John Clare-but also for Robert Blair, Thomas Gray, and William Wordsworth-the churchyard emerges as a contested space of social life through a shared focus on the body as the instrument of labour.</image:title>
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    <lastmod>2023-10-04</lastmod>
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    <lastmod>2023-10-17</lastmod>
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    <lastmod>2023-09-18</lastmod>
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    <lastmod>2023-01-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/ba12d03a-342a-4ee6-bc17-a11820f3b7e6/IMG_5801x+%282%29.jpg</image:loc>
      <image:title>Events - Women's Work in Seventeenth-Century London: Laura Gowing in conversation with Hannah Dawson and Amy Louise Erickson - Laura Gowing is Professor of Early Modern History at King's College London, specialising in the history of early modern women, gender, and the body. She is the author of Domestic Dangers (1996) and Common Bodies (2003) which won prizes from the Society for the Study of Early Modern Women and the American Historical Association (Joan Kelly prize) respectively. She is an editor of History Workshop Journal.</image:title>
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    <lastmod>2022-04-21</lastmod>
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    <lastmod>2022-04-20</lastmod>
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    <lastmod>2022-03-17</lastmod>
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    <lastmod>2022-04-15</lastmod>
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    <lastmod>2022-09-20</lastmod>
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    <lastmod>2022-03-17</lastmod>
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    <lastmod>2022-09-20</lastmod>
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    <lastmod>2022-05-27</lastmod>
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  <url>
    <loc>https://kingsearlymodern.co.uk/keythings/bed</loc>
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    <lastmod>2022-08-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/bb903b5c-4627-46fe-a8e7-63cda66e6ca4/2006AL3614.jpg</image:loc>
      <image:title>Key Things - Bed - Make it stand out</image:title>
      <image:caption>Hans Vredeman De Vries (designer). ‘Great Bed of Ware’. 1590-1600. © Victoria and Albert Museum, London.</image:caption>
    </image:image>
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  <url>
    <loc>https://kingsearlymodern.co.uk/keythings/buskins</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/57cd9ca2-b5de-4bac-ac55-9bb473c022e5/002988.jpg</image:loc>
      <image:title>Key Things - Buskins - William Kemp, Kemps nine daies wonder (London, 1840 [1600]). LUNA: Folger Digital Image Collection.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/e8831a6e-820f-41ed-9637-f69107d27461/Kemp%27s_Men%2C_Chapelfield_Gardens_-_geograph.org.uk_-_167501.jpg</image:loc>
      <image:title>Key Things - Buskins - Mark Goldsworthy (woodcarver), Kemp’s Men, Chapelfield Gardens. Photo: Graham Hardy (2006). CC BY-SA 2.0.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/d0832285-b048-4a44-bd31-21465caef28a/Picture+1.jpg</image:loc>
      <image:title>Key Things - Buskins - Plaque on the wall of Maddermarket Theatre, where Kemp ended his dance. Image: Literary Norfolk. © Cameron Self.</image:title>
      <image:caption>Plaque on the Wall of Maddermarket Theatre, where Kemp ended his dance. Image: Literary Norfolk.</image:caption>
    </image:image>
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  <url>
    <loc>https://kingsearlymodern.co.uk/keythings/cambric</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/53f56ab8-5cf9-4222-97af-37f84a5cf77a/000768-min.jpg</image:loc>
      <image:title>Key Things - Cambric - ‘New Year's gift-roll of Elizabeth I, Queen of England’. 1st January 1584/5. Folger Shakespeare Library Z.d.16.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/b323de49-f84d-4330-a1f9-a45b067bc163/Cambric+Shirt+%281697-1702%29+VnA+T.356-1980+cropped.jpg</image:loc>
      <image:title>Key Things - Cambric - Make it stand out</image:title>
      <image:caption>‘Cambric Shirt’. 1697-1702. Victoria &amp; Albert Museum T.356-1980. © Victoria and Albert Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/32e688f9-e72d-404e-8420-5cec30bd172b/Edward+Cocke%2C+Portrait+of+Margaret+Dane%2C+1640%2C+Ironmongers%27+Company.jpg</image:loc>
      <image:title>Key Things - Cambric - Edward Cocke. Portrait of Margaret Dane. 1640. Reproduced by permission of the Worshipful Company of Ironmongers, London.</image:title>
      <image:caption>Worshipful Company of Ironmongers</image:caption>
    </image:image>
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  <url>
    <loc>https://kingsearlymodern.co.uk/keythings/comb</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/ce081292-326d-425d-b654-a6cb6f7db6e8/Boxwood+Comb+Munn.png</image:loc>
      <image:title>Key Things - Comb - Make it stand out</image:title>
      <image:caption>Carved boxwood comb (recto and verso). Sixteenth Century. Victoria &amp; Albert Museum, London, inv. 88-1892. Image credit: Victoria Munn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/5a60abed-1971-4509-b106-a54ca3d70141/Kunstmuseum+basel.jpg</image:loc>
      <image:title>Key Things - Comb - Unknown, School of Fontainebleau. Portrait of a  Lady. c.1550. Kunstmuseum Basel, Sammlung Online.</image:title>
    </image:image>
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  <url>
    <loc>https://kingsearlymodern.co.uk/keythings/dust</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/6aabea25-76f6-4098-b496-ce0174d01e8d/Pinch+of+Dust+-+1.jpg</image:loc>
      <image:title>Key Things - Dust - George Vertue, ‘Engraving of Ralph Thoresby’ (1712), © The Trustees of the British Museum</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/18efd168-c277-421b-a73d-2b768d9c19ce/Pinch+of+Dust+-+2.jpg</image:loc>
      <image:title>Key Things - Dust - Make it stand out</image:title>
      <image:caption>Domenico Remps, Cabinet of Curiosities (c. 1690). Museo dell’Opificio delle Pietre Dure, Florence.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keythings/microscope</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/2f1635c8-af49-4d4f-9602-104d2364ff5f/Hooke+Microscope.jpg</image:loc>
      <image:title>Key Things - Microscope - Engraving of Hooke’s microscope, first plate (Schem. I) in Robert Hooke, Micrographia (London, 1665). National Library of Wales. Public domain.</image:title>
    </image:image>
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  <url>
    <loc>https://kingsearlymodern.co.uk/keythings/mummy</loc>
    <changefreq>monthly</changefreq>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/95f624f7-ada3-4fe5-a2e6-28b9fa4009d1/Sandys+Egypt+1</image:loc>
      <image:title>Key Things - Mummy - Make it stand out</image:title>
      <image:caption>‘The Pyramids of Giza and the Sphinx’ from George Sandys, Relation of a Iourney begun An: Dom: 1610 (London, 1615). Hellenic Library - Alexander S. Onassis Public Benefit Foundation. Credit: Aikaterini Laskaridis Foundation.</image:caption>
    </image:image>
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    <loc>https://kingsearlymodern.co.uk/keythings/parchment</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/3c99f4e2-bbd1-43a3-b973-a9c6199f4d28/Jost+Amman+Hans+Sachs+Der+Bermenter.jpg</image:loc>
      <image:title>Key Things - Parchment - Jost Amman. ‘Membranarius. Der Bermenter [The Parchment Maker]’. (Frankfurt, 1568). Woodcut. © The Trustees of the British Museum.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/fa1de427-27a2-4ce5-b455-70816a1197b5/portrait_of_a_man%2C_possibly_jan_snoeck_1967.4.1.jpg</image:loc>
      <image:title>Key Things - Parchment - Jan Gossaert, Portrait of a Man, possibly Jan Snoeck. c. 1530. National Gallery of Art, Washington.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keythings/pin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/4bb68f70-c0a0-45b4-9dda-b54d1fb86bcb/2006AM5157.jpg</image:loc>
      <image:title>Key Things - Pin - Make it stand out</image:title>
      <image:caption>‘Card of pins’. 1620-1650. V&amp;A 123-1900. © Victoria &amp; Albert Museum, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/721acd18-cbf1-4cf1-a95d-20f7213e63f6/016463.jpg</image:loc>
      <image:title>Key Things - Pin - ‘Detail, Pin’ from fol. 21v of Anthony Smetheley, Rentals and book of reckonings (1556-1578). Folger Shakespeare Library (LUNA: Folger Digital Image Collection).</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/82860e7b-3223-46a5-973a-4e9cd76dd685/Picture+1.png</image:loc>
      <image:title>Key Things - Pin - Make it stand out</image:title>
      <image:caption>W. P., The History of Witches and Wizards (London, 1720), p.50. Wellcome Collection, Public Domain Mark.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/keythings/subtlety</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/641017b3-c2e2-4ebb-8b90-c2a711f79c8e/1613168653.jpg</image:loc>
      <image:title>Key Things - Subtlety - Make it stand out</image:title>
      <image:caption>Arnold van Westerhout, after Giovanni Battista Lenardi. ‘Two sculptures in sugar of Juno and Cybele drawn in carriages, representing two of the four elements, as used for the banquet offered by the Earl of Castlemaine on 14 January 1687’. Etching. © The Trustees of the British Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/51ef6c0a-4c32-4b35-9b9d-63c0ab162eae/Picture+1.jpg</image:loc>
      <image:title>Key Things - Subtlety - Make it stand out</image:title>
      <image:caption>Kara Walker. A Subtlety, or the Marvelous Sugar Baby, Domino Sugar Factory, New York, 2014. © Creative Time, New York.</image:caption>
    </image:image>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/2a408cff-c21b-45c4-b361-8cf4e54276ef/U1449_0043.jpg</image:loc>
      <image:title>Key Things - Underworld - Antonio Maretti. Profilo, Piante e Misure dell'Inferno di Dante [Section, Plan and Dimensions of the Inferno] (from Dante, Divine Comedy). Rare Book and Manuscript Collections, Cornell University Library U1449_0043. ca.1529.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/b66ff17b-076a-429c-8490-bc861748604e/Picture+1.jpg</image:loc>
      <image:title>Key Things - Underworld - Aeneas and the Sybil in the Underworld. Fitzwilliam Museum M7-1945, Cambridge. ca.1527-1530.</image:title>
      <image:caption>Limoges enamel of Aeneas and the Sybil in the Underworld (back). Fitzwilliam Museum M7-1945, Cambridge. ca. 1527 – 1530.</image:caption>
    </image:image>
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    <lastmod>2022-08-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/916b2b17-7fc5-4605-9dd4-55aa83438033/Violin+Bridge.png</image:loc>
      <image:title>Key Things - Violin Bridge - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/16bb3144-8df7-45a4-8ef2-40eef448c534/Violin+Bridge+2.png</image:loc>
      <image:title>Key Things - Violin Bridge - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/aaff795a-fcaa-4e96-80d8-8f39d5fb8525/Violin+Bridge+3.png</image:loc>
      <image:title>Key Things - Violin Bridge - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/663a624d-5bda-439f-b32c-ade5ffb35036/Violin+Bridge+4.png</image:loc>
      <image:title>Key Things - Violin Bridge - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Key Things - Workbox - Make it stand out</image:title>
      <image:caption>Hannah Downes, ‘Embroidered Workbox’. 1683. © Victoria and Albert Museum, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/d02ab77c-f29b-4292-9f3d-3dca26340828/2011FD8076.jpg</image:loc>
      <image:title>Key Things - Workbox - Make it stand out</image:title>
      <image:caption>Suite of objects made by Hannah Downes and her descendants, 1680s-1860s, photograph taken circa 1935. © Victoria and Albert Museum, London</image:caption>
    </image:image>
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    <lastmod>2024-02-22</lastmod>
  </url>
  <url>
    <loc>https://kingsearlymodern.co.uk/key-texts/declaration-of-his-highness-william-henry</loc>
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    <lastmod>2023-11-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/078ed382-8cf5-4ad7-961d-83c38e668ffd/tour-of-william-iii-to-england-1688.jpg</image:loc>
      <image:title>Key Texts - The Declaration - Romeyn de Hooghe’s depiction of William of Orange’s invasion fleet (1688), Scottish National Portrait Gallery, P 9487. Creative Commons CC by NC.</image:title>
      <image:caption>Romeyn de Hooghe’s depiction of William of Orange’s invasion fleet (1688), Scottish National Portrait Gallery, P 9487. Creative Commons CC by NC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/0ee894d0-9e94-4688-9b5a-d72298b36bb6/Picture+1.jpg</image:loc>
      <image:title>Key Texts - The Declaration - The Declaration of his Highness William Henry, perhaps the most widely-circulated pamphlet in seventeenth-century Europe. Image courtesy of Leiden University.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/f661a514-4ae1-49fe-b5d2-8dc128523930/Picture+1.png</image:loc>
      <image:title>Key Texts - The Declaration - A contemporary playing card depicting William’s entry into London in December 1688, c. 1688-89. Image courtesy of the British Museum.</image:title>
    </image:image>
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    <loc>https://kingsearlymodern.co.uk/key-texts/the-two-gentlemen-of-verona</loc>
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    <lastmod>2023-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/628cdc34-ea0d-4ef8-acaf-cbb025892e63/ezgif.com-webp-to-jpg.jpg</image:loc>
      <image:title>Key Texts - The Two Gentlemen of Verona - Thomas Elyot, The boke named the Gouernour deuised by sir Thomas Elyot knyght, Sixth Edition (London: Thomas Marsh 1557).</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/e14c6dc4-5725-439a-bb41-c6aa336098ad/034470.jpg</image:loc>
      <image:title>Key Texts - The Two Gentlemen of Verona - Proteus: "All happiness bechance to thee in Milan!". Valentine: "As much to you at home! and so, farewell".</image:title>
      <image:caption>Walter Crane. 19th Century. Folger Shakespeare Library. LUNA: Folger Digital Image Collection.</image:caption>
    </image:image>
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    <lastmod>2023-08-29</lastmod>
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      <image:title>Key Texts - Room For The Cobler of Gloucester - Make it stand out</image:title>
      <image:caption>Dialogic format of Room for the Cobler (1668). Courtesy of the British Library, digitized by Google Books project.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/d05e7ce9-94ad-46bb-bb29-f9d7e2aebb92/Picture+2.jpg</image:loc>
      <image:title>Key Texts - Room For The Cobler of Gloucester - Make it stand out</image:title>
      <image:caption>Late seventeenth-century ballad woodcut of a cobbler. Richard Rigby, ‘The Cobbler’s Corrant’ (c.1683–1703).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/e8184269-0442-46ce-8c65-d6e80848aaea/Picture+1.png</image:loc>
      <image:title>Key Texts - Room For The Cobler of Gloucester - Make it stand out</image:title>
      <image:caption>Dedication of Room for the Cobler (1668). Courtesy of the British Library, digitized by Google Books project.</image:caption>
    </image:image>
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    <lastmod>2023-08-25</lastmod>
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      <image:title>Key Texts - How Gabriel Harvey Read His Livy - Titus Livius Patavini [Livy], T. Liuii Patauini Romanae historiae principis decades tres (Basel, 1555). Princeton University Library, Department of Rare Books and Special Collections, South East (RB) (Ex) PA6452. A2 1555q.</image:title>
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      <image:title>Key Texts - How Gabriel Harvey Read His Livy - ‘Gabriel Harvey’, after Unknown artist, line engraving, possibly mid 17th century. NPG D27819 © National Portrait Gallery, London</image:title>
    </image:image>
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  <url>
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    <lastmod>2023-08-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/e553f311-a15d-4e7b-8561-3c639f1e2cb2/5484707295_e92762f8dc_o.jpg</image:loc>
      <image:title>Key Texts - Compendium Maleficarum - Title page to the 1608 edition. Image: University of Glasgow Library (Sp Coll Ferguson Ao-a.60).</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/05c537fd-12cb-4e22-9639-d37e1489dfa4/5484707417_152964be2c_o.jpg</image:loc>
      <image:title>Key Texts - Compendium Maleficarum - Text and woodcut illustrations from Compendium Maleficarum. Image: Glasgow University Library. (Sp Coll Ferguson Ao-a.60, p. 15).</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/564e8f6a-41a9-48dc-b3b5-644dd9eff1d7/download.jpeg</image:loc>
      <image:title>Key Texts - Compendium Maleficarum - Make it stand out</image:title>
      <image:caption>Text and woodcuts from 1608 edition, pp. 98-9.</image:caption>
    </image:image>
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    <lastmod>2023-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/bdc112ee-249f-463b-b63b-0c5299a848da/N-4035-00-000021-wpu.jpg</image:loc>
      <image:title>Key Texts - A Meditation of a Penitent Sinner - Make it stand out</image:title>
      <image:caption>Style of Luca Giordano. The Toilet of Bathsheba. after 1705. © The National Gallery, London. CC BY-NC-ND 4.0.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe38fe0f2a089222f6c5c88/3d343b29-314d-4565-9d84-af3ea0281dc8/out.jpg</image:loc>
      <image:title>Key Texts - A Meditation of a Penitent Sinner - ‘A Meditation of a Penitent Sinner: Written in Maner of a Paraphrase upon the 51. Psalme of David’ in Sermons of John Calvin (London, 1560; STC 4450), sig. Aa1r. Early English Books Online, courtesy of the British Library.</image:title>
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      <image:title>Key Texts - The Secrets - De' secreti del reuerendo donno Alessio Piemontese, prima parte, diuisa in sei libri (Venice, 1555). Public Domain.</image:title>
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      <image:title>Key Texts - The Secrets - The Secrets of the Reverend Maister Alexis of Piemont, trans. William Ward (London, 1595). Public Domain.</image:title>
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